Jasper Johns Untitled Map 2013 ULAE 324 Offset Lithograph
Jasper Johns Untitled Map 2013 ULAE 324 Offset Lithograph
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Jasper Johns
Untitled Map (ULAE 324), 2013
single color offset lithograph on Giama Natural paper
paper: 15 1/8 x 10 7/8 inches
image: 14 3/8 x 10 3/8 inches
Edition of unknown size with 32 AP's
signed & dated "J Johns '13" in the stone
Printed by Universal Limited Art Editions, Bay Shore, NY
Published by Art in America and Sharon Coplan Hurowitz
Unframed
Condition
Pristine condition, unframed, with publishers gatefold crease as published, only visible in raking light.
Literature
Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, another impression reproduced plate 27, page 294.
To be included in forthcoming update to: The Prints of Jasper Johns: A Catalogue Raisonne, ULAE, New York, Catalogue Reference ULAE 324.
Exhibited
Jasper Johns Mind/Mirror, The Whitney Museum of American Art and the Philadelphia Museum of Art, another impression.
Jasper Johns Reversals, New Orleans Museum of Art, another impression.
Museum Collections
The Metropolitan Museum of Art, New York
Walker Art Center, Minneapolis
Philadelphia Museum of Art, Philadelphia
Rhode Island School of Design, Providence
According to Bill Goldston, publisher, ULAE, in 2013 Jasper Johns had an idea which was predicated on the size limitations of Art In America. Initially Jasper Johns thought the best thing would be to do a drawing on frosted Mylar, a process he’s familiar with. He gave me the image and I scanned it, converted that digital file to a digital print, and showed him a proof. He asked if it could be printed on different kinds of paper. A local offset printer I work with, Official Offset in Amityville, N.Y., provided me with samples. We discovered quite by accident that Jasper was working with an old magazine size, and the magazine is now larger. So he drew a line of numbers at the top to satisfy the difference in the proportions of the page. I scanned that and added it, so the image had three different layers: The first layer was the map and the Sign Language alphabet. Then there was the addition of the numbers across the top. Finally, he signed a small piece of Mylar and I dropped that into the file. It didn’t exist as a composed image in any other way than digital.”
Jasper Johns wanted the print to have a gatefold, similar to other Art In America prints taht were commissioned in the 1970’s. Jasper felt it was important to honor that aspect of the original prints inserted in Art in America.
Joseph K. Levene Fine Art, Ltd. only buys and sells Jasper Johns Prints without condition issues, meaning we will not buy or sell any Jasper Johns print that was previously cleaned, repaired, previously over-matted and/or reduced in size. Unlike many Jasper Johns Print dealers, Joseph K. Levene Fine Art, Ltd. also avoids buying or selling ANY Jasper Johns Print that is foxed, trimmed and/or faded, no matter how much of a bargain.
View Jasper Johns Prints at Joseph K. Levene Fine Art, Ltd.
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